Pascal and Francis Bibliographic Databases

Help

Search results

Your search

kw.\*:("MUSIC")

Filter

A-Z Z-A Frequency ↓ Frequency ↑
Export in CSV

Document Type [dt]

A-Z Z-A Frequency ↓ Frequency ↑
Export in CSV

Publication Year[py]

A-Z Z-A Frequency ↓ Frequency ↑
Export in CSV

Discipline (document) [di]

A-Z Z-A Frequency ↓ Frequency ↑
Export in CSV

Language

A-Z Z-A Frequency ↓ Frequency ↑
Export in CSV

Author Country

A-Z Z-A Frequency ↓ Frequency ↑
Export in CSV

Origin

A-Z Z-A Frequency ↓ Frequency ↑
Export in CSV

Results 1 to 25 of 9274

  • Page / 371
Export

Selection :

  • and

SYNTHESE SONORE PAR SIMULATION DE MECANISMES VIBRATOIRES: APPLICATION AUX SONS MUSICAUXCADOZ CLAUDE.1979; ; FRA; DA. 1979; 107 P.: ILL.; 30 CM; BIBL. 23 REF.; TH. 3EME CYCLE: SCI./GRENOBLE, I.N.P./1979Thesis

A TOUCH-SENSITIVE KEYBOARD FOR ELECTRONIC MUSICSHAPIRO GM; CULLEN B.1982; J. AUDIO ENG. SOC.; ISSN 0004-7554; USA; DA. 1982; VOL. 30; NO 10; PP. 732-734Article

A PATCHABLE ELECTRONIC MUSIC PERCUSSION SYNTHESIZER.GABRIELSEN B.1977; J. AUDIO ENGNG SOC.; U.S.A.; DA. 1977; VOL. 25; NO 6; PP. 395-399; BIBL. 7 REF.Article

A NEW WAY IN SOUND SYNTHESISANDRESEN U.1979; AUDIO ENGINEERING SOCIETY. CONVENTION. 62/1979/BRUXELLES; USA; NEW YORK: AUDIO ENGINEERING SOCIETY; DA. 1979; PP. 1-6Conference Paper

COHOMOLOGIE RELATIVE DANS LE DOMAINE REEL = RELATIVE COSMOLOGY IN THE REAL DOMAINROCHE CLAUDE ANDRE.1982; ; FRA; DA. 1982; 73 P.; 30 CM; BIBL. 2 P.; TH. 3E CYCLE: MATH. PURES/GRENOBLE 1/1982Thesis

SYNTHESIZING MUSICAL TONES FROM AN IMPULSE RESPONSE STORED IN A DIGITAL MEMORYSLAYMAKER FH.1980; J. ACOUST. SOC. AMER.; USA; DA. 1980; VOL. 67; NO 2; PP. 713-715; BIBL. 15 REF.Article

THE PIECEWISE-LINEAR TECHNIQUE OF ELECTRONIC MUSIC SYNTHESIS.BERNSTEIN AD; COOPER ED.1976; J. AUDIO ENGNG SOC.; U.S.A.; DA. 1976; VOL. 24; NO 6; PP. 446-454; BIBL. 20 REF.Article

LE PROGRAMME DE SYNTHESE DE SONS AUDITU.BROWN F; KLEIN G; LEHMANN R et al.1976; REV. ACOUST.; FR.; DA. 1976; VOL. 9; NO 38; PP. 206-210; ABS. ANGL.; BIBL. 5 REF.Article

FOURIER ANALYSIS AND INFORMATION THEORY ON A MUSICAL COMPOSITIONSPYRIDIS H; ROUMELIOTIS E.1983; ACUSTICA; ISSN 0001-7884; DEU; DA. 1983; VOL. 52; NO 4; PP. 255-262; BIBL. 11 REF.Article

A POLYPHONIC MUSIC SYNTHESIZER UTILIZING MASTER PROGRAMMED ELECTRONIC SYNTHESIS MODULES FOR EACH KEY.FERGUSON L.1977; J. AUDIO ENGNG SOC.; U.S.A.; DA. 1977; VOL. 25; NO 9; PP. 592-595; ABS. ALLEM. FR. ESP.; BIBL. 3 REF.Article

INHARMONIQUE: ANALYSE DE LA BANDE MAGNETIQUE DE L'OEUVRE DE JEAN-CLAUDE RISSETLORRAIN DENIS.1980; ; FRA; DA. 1980; IRCAM/26-80; NON PAG.; 30 CMReport

VOSIM - A NEW SOUND SYNTHESIS SYSTEMKAEGI W; TEMPELAARS S.1978; J. AUDIO ENGNG SOC.; USA; DA. 1978; VOL. 26; NO 6; PP. 418-425; ABS. GER/SPA; BIBL. 9 REF.Article

DUPLEX PERCEPTION WITH MUSICAL STIMULIPASTORE RE; SCHMUCKLER MA; ROSENBLUM L et al.1983; PERCEPTION AND PSYCHOPHYSICS; ISSN 0031-5117; USA; DA. 1983; VOL. 33; NO 5; PP. 469-474; BIBL. 21 REF.Article

Listening to Cybernetics: Music, Machines, and Nervous Systems, 1950-1980DUNBAR-HESTER, Christina.Science, technology, & human values. 2010, Vol 35, Num 1, pp 113-139, issn 0162-2439, 27 p.Article

DESCRIPTION OF REGULAR TWELVE-TONE MUSICAL TUNINGSRASCH RA.1983; JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA; ISSN 0001-4966; USA; DA. 1983; VOL. 73; NO 3; PP. 1023-1035; BIBL. 34 REF.Article

THE COMMUNICATION OF MUSICAL METRE IN PIANO PERFORMANCESLOBODA JA.1983; QUARTERLY JOURNAL OF EXPERIMENTAL PSYCHOLOGY. SECTION A. HUMAN EXPERIMENTAL PSYCHOLOGY; ISSN 0272-4987; GBR; DA. 1983; VOL. 35; PART. 2; PP. 377-396; BIBL. 19 REF.Article

WHAT TUNE IS THAT.WHITE JB.1973; SPEC. LIBR.; U.S.A.; DA. 1973; VOL. 64; NO 3; PP. 151-152Serial Issue

OCTAVE DISCRIMINATION: AN EXPERIMENTAL CONFIRMATION OF THE "STRETCHED" SUBJECTIVE OCTAVEDOBBINS PA; CUDDY LL.1982; J. ACOUST. SOC. AM.; ISSN 0001-4966; USA; DA. 1982; VOL. 72; NO 2; PP. 411-415; BIBL. 17 REF.Article

EINE GRUPPENTHEORETISCHE METHODE IN DER MUSIKTHEORIE = UNE METHODE DE THEORIE DES GROUPES DANS LA THEORIE DE LA MUSIQUEHALSEY GD; HEWITT E.1978; JBER. DTSCH. MATHEMATIKER VEREINIG.; DEU; DA. 1978; VOL. 80; NO 4; PP. 1-42; BIBL. 15 REF.Article

MULTIDIMENSIONAL PERCEPTUAL SCALING OF MUSICAL TIMBRES.GREY JM.1977; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1977; VOL. 61; NO 5; PP. 1270-1277; BIBL. 23 REF.Article

A COMPUTER-ASSISTED APPROACH TO MICRO-ANALYSIS OF MELODIC LINESSTECH DA.1981; COMPUTERS AND THE HUMANITIES; ISSN 0010-4817; USA; DA. 1981 PUBL. 1982; VOL. 15; NO 4; PP. 211-221; BIBL. 8 REF.Article

SCHENKER'S THEORY OF TONAL MUSIC-ITS EXPLICATION THROUGH COMPUTATIONAL PROCESSES.FRANKEL RE; ROSENSCHEIN SJ; SMOLIAR SW et al.1978; INTERNATION. J. MAN-MACH. STUD.; GBR; DA. 1978; VOL. 10; NO 2; PP. 121-138; BIBL. 16 REF.Article

The high-resolution spectrum estimator, a subjective entityKAY, S; DEMEURE, C.Proceedings of the IEEE. 1984, Vol 72, Num 12, pp 1815-1816, issn 0018-9219Article

FLUE ORGAN PIPES: ADJUSTMENTS AFFECTING STEADY WAVEFORMNOLLE AW.1983; JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA; ISSN 0001-4966; USA; DA. 1983; VOL. 73; NO 5; PP. 1821-1832; BIBL. 20 REF.Article

ON MUSICAL NOTATIONS-AGAIN!BOWSHER JM.1976; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1976; VOL. 59; NO 6; PP. 1512-1513; BIBL. 5 REF.Article

  • Page / 371